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Upper Langford
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Forage and make natural dyes. Learn contemporary traditional printmaking techniques using locally-grown organic textiles + paper

Journal

Spring Newness!

botanical inks

Re-emergence


As the plant energy now rises back to the Earth's surface, we too, are noticing the energy-levels in our bodies rising.

I've enjoyed the first sights of snowdrops, daffodils, croci, and now blossom, appearing around me.

This week I harvested wild garlic, to make pesto. So exciting!

The herb immediately sends a surge of green energy through my system, clearing out stagnant energy & toxins which have accumulated over the Winter.
I feel a cleansing and re-vitalisation in my body, readying me for a new solar cycle.
 

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Bristol Studio..!

With this re-emergence of energy, comes the timely opening of the
Botanical Inks Bristol studio.

A space for creative projects, product lines, private commissions, 121 training and group workshops.
Email to find out more about how we can help with your natural dye projects.
We are taking on new commissions now!

You'll find us in the Old Market Quarter.
A conservation area of national significance, to the east of the city centre.

Old market is an ancient market place which developed immediately outside the walls of Bristol Castle, on what was for many centuries, the main road to London. The area contains some of Bristol’s most ancient buildings.

Old Market has in recent years become a centre of Bristol’s gay scene, and has been proclaimed as ‘Bristol’s Gay Village'.

We are housed inside the Old Market Manor maker-space.

We love it here! :)

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Fancy learning a new skill?
Want to know more about natural dyes?

Check out our full list of workshops below for the Spring/Summer Season.
Our workshops often book up quickly, so book early to avoid disappointment.

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SPRING / SUMMER 2017
WORKSHOPS


March 5. 
Bundle Dyeing With Juice Waste from East London Juice Co.
Ace Hotel, Shoreditch, London
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March 15.
Block Printing With Natural Dyes
The Fashion and Textiles Museum, London **SOLD OUT**
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April 11.
Bundle Dyed Table Runner
Vervain Flower Farm, Worcestershire
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April 21.
Block Printing With Natural Dyes
The Fashion and Textiles Museum, London.
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April 22 + 23.
Screen Printing with Natural Dyes
Double Elephant, Exeter **SOLD OUT**
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April 25 - May 23 (5 week course)
An Introduction to Natural Dyeing Techniques
Plymouth College of Art **SOLD OUT**
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May 18.
SELVEDGE MAGAZINE: Bundle dyeing With Flowers + Plants
Bristol Textile Quarter, Bristol.
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May 28th.
Bundle Dyeing Ritual With Spring Flowers + Plant Materials
Textiles Hub London
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June 13.
Bundle Dyeing With Moat Farm Flowers
Moat Farm, Suffolk.
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June 15.
SELVEDGE MAGAZINE: Creative Natural Dyes
Bristol Textile Quarter, Bristol.
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June 18.
Bundle Dyeing Ritual With Summer Flowers + Plant Materials
Textiles Hub London
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June 21st.
Holistic Bundle Dyeing With Flowers
Daylesford Farm, Gloucestershire.
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July 13.
Herbal Bundle Dyeing With Flowers
The Forge, Bristol.
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July 22.
undle Dyeing With Flowers + Plants
Prema Arts, Gloucestershire.
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July 23.
Bundle Dyeing Ritual With Summer Flowers + Plant Materials
Textiles Hub London
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July 27.
Organic Silk Printmaking
Hawkwood College, Gloucestershire.

 

With much love and excitement!
Babs xx

To the Outer Hebrides!

botanical inks

I recently enjoyed a brief spell in the outer limits of the British Isles...The Outer Hebrides...Barren, treeless lands, covered with soft heather, moor and lochs.

North Uist held us through stormy nights and days of fierce winds and horizontal rain...We were blasted clean of any Summer indulgences, purified with icy sea dips in white sand bays of crystalline turquoise waters, cleansed with seaweed baths..and bakes, nutrified. Calmed with warm fires, hot herbal tea, gentle cheer and cosying..

While many were enjoying the sunshine elsewhere, we were shifting straight into Autumn mode and exploring the natural resources and elements these faraway lands have to offer.

Much of the environment and identity of the Outer Hebrides has been shaped by a strong crofting tradition. Small-scale farming practises, seen all over the island of North Uist, and marked out by a series of ‘runrig’ lines, loosely containing sheep and cattle.

It's interesting looking into the history of natural textile dyeing in this part of the World.

Early Scots, had access to a variety of dyes, sourced directly from the land, which were used to create the impressive range of colours used for traditional tartans.

"The bark of the alder tree and the dock root produced Black. Tops of the currant bush with alum, bilberries (known in Scotland as blaeberries), dulse, and crotal were used for Browns. Dulse is a common shore seaweed, also used as food, and sold by the fishwives of our coast towns along with oysters and fresh herring. Crotal is the common name for several kinds of lichens that grow on the rocks. It is to them that real Harris tweeds chiefly owe their characteristic smell. Cup moss yielded Purple; dandelions. Magenta; blaeberries and alum with club moss produced Blue ; wild cress, Violet; whin or gorse bark, broom, and knapweed gave a Green; bracken - the coarse rough fern that covers many miles of our Highland hills and supplies bedding for the crofters' cattle - and heather supplied a Yellow; and white crotal was used for Red." (Extract from here.)

Harris Tweed, is a fascinating organization, utilising thoroughly traditional techniques for cloth production, sourcing its wool mostly from mainland Scotland's, along with some of the isles and employing only local artisans to make the cloth,

"The long, barren archipelago on the far north west tip of Europe is home to every dyer, blender, carder, spinner, warper, weaver, finisher and inspector of Harris Tweed. No part of the process takes place elsewhere." (Harris Tweed)
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Once known for using local natural dyes by its dyers, has now replaced these with low VOC dyes. However, the only looms used by the weavers are treadle, meaning no electric powered looms are used whatsoever, and everything is done by hand.

Interestingly, something else which Harris Tweed do, which unlike many other cloth manufacturers, is dye their wool before being spun. They claim that this allows for a multitude of colours to be seen in the yarn.

"With each thread containing a myriad of different colours, a cloth of great depth and complexity is produced."

Read more about Harris Tweed here


Although somewhat disappointed that Harris no longer use natural dyes for their modern cloth production, I'm overwhelmingly delighted to learn more of the Strathskye Tartan project. A collaboration between Knockando Wool Mill and natural dyers, Shilasdair Yarns on the neighbouring Isle of Skye.

"Knockando Woolmill designed and wove the tartan on the restored Victorian Dobcross shuttle loom with the naturally dyed yarns from Shilasdair. The tartan pattern incorporates aspects of the vibrant, natural landscape of both Skye and Strathspey. Blues and greens from the hills, sea and sky accentuated by the red of cresting sunsets and the bright yellow of the freely flowering tansy.

One of the characteristics of dyeing from natural materials can be tonal variation within the shade. Although this could be considered a fault in modern dyeing practices, it is a classic hallmark of naturally dyed yarn, adding to its authentic charm.
Traditionally woven on a shuttle loom this woolen spun cloth has the all important finished edged to form the hem of the kilt, and is also suitable for other apparel and soft furnishings.
The name 'Strathskye' was chosen following a competition, and incorporates both Strathspey and Skye - where the tartan was made, and where the yarn was created." 

The dye plants used to create these vibrant hues include Tansy, gathered from the Shilasdair croft on Skye to create the yellow. Tony from Shilasdair explains,

"Yellow is very difficult as the crop is inconsistent from year to year, owing to variations in growing conditions dueespecially to the overall weather pattern for the year. The exact timing of the crop harvest is also important as as this takes place over a period of several weeks and can be affected by local weather conditions in force at the time. For this reason the tansy is supplemented or modified as required by small amounts ofnatural dye extracts or derivatives for exampleweld and marigold."

Madder root is used to create the orange/red coloured yarn, sometimes with a little madder extract to improve the consistency. Blue is achieved using indigo, and the green is indigo over-dyed with yellow from tansy, weld and marigold.

"Tonal variation happens with almost all the natural dyes used, because, in layman's terms, they are not engineered by man to have instant affinity for protein fibres, but rather have to be coaxed to donate their pigments.  Variation can be controlled to an extent by the degree to which the yarns are packed in the dye cabinets, and the temperature of injection, but is always present to some degree or other.   It is tonal variation however - along with the vibrancy of the hues produced - which is the signature of natural dyeing." (Tony, Shilasdair Yarns)  

 This naturally dyed Scottish wool tartan is available to buy online for £75 a metre, from here.

If you are as excited by this news of a locally dyed and woven cloth as me, you'll probably also be interested in the Bristol Cloth project (pictured below). A collaboration between Botanical Inks, Bristol Textile Quarter, Bristol Weaving Mill and Fernhill Farm, to produce a locally sourced and manufactured cloth here in the South West.

Find out more about the Bristol Cloth here and get in touch to register your interest and pre-order, by emailing hello@botanicalinks.com.

Warmly, Babs :) x

Summer Daze

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What a wild Summer..!

It feels like an age since the Botanical Inks Summer Tour kicked off, back in May, with a series of workshops for Selvedge Magazine. The last one, exploring and de-mystifying, the alchemical art of developing blue hues from plants. Our "Organic Indigo + Shibori class", offers a clean and quick technique for creating this elusive dye colour, and presents some easy Japanese Shibori, fold and bind, resist-printing techniques.

It was a total thrill to see the unique works students made in this class.

After this, Botanical Inks had a visit from dye master, Aboubakar Fofana, at our rural workspace in North Somerset. We were fascinated to learn from him, about the traditional technique for using a fermentation vat to extract blue dye from actual indigo leaves. For ten days we balanced the dye, using natural lime as our alkaline, and sugar from wheat bran and beer, with the aid of an electric blanket for a consistently warm temperature. After only 8 days, (thanks to our magical Mendip water!), we were able to dye our first pieces of cloth into brilliant ocean blue shades. We had the task of re-balancing the dye for many weeks after Aboubakar left us, which was an incredible learning opportunity, in the complex, and yet simple, nature of intuitively reading and responding to a living dye.

On June 21st we celebrated the Solstice full moon with a land gathering and fireside chatting 'til dawn, here in Somerset. With the days being so long, the hours of dark slipped away without even noticing, before the sun rose again.

And then, off to Glastonbury! The annual convergence of so many wonderful people and endless things to do! We hardly noticed the mud with all the dancing and frolics! ;)

In July, the Botanical Inks mobile dye + print studio, was up and down the country, visiting all manner of splendid places and people. We enjoyed an incredible day at Babington House in Somerset, foraging flowers and plants from the abundant walled garden.

Buddhafields Festival invited me to join their conscious celebrations, sharing the Art of Natural Dyeing with festival goers, using locally foraged plants to colour silk ribbons for adorning floral bouquets and gifts. I enjoyed teaching classes, amongst the busy schedule of meditations, yoga, ecstatic dancing and dharma talks..!

It was fun to then to leave the rural retreat of Buddhafields and slink back into the city, to High Road House in Chiswick, where residents learned a fun new way to release tension, while making beautiful botanical imprints on cloth.

The Hapazome hammering technique, coined by India Flint, is great for quick and plentiful pattern making.

Hauser & Wirth Somerset then hosted an intimate Artist's Workshop for me, at their incredible rural art gallery in Bruton. The day started out with excellent coffee and a walk around the splendid Oudolf Field, designed by, internationally-renowned, Piet Oudolf, from the Netherlands. We marvelled at the landscaping and perennials, enjoying the sunshine and fresh air, before nestling down for a day of mind nourishment and creative inspiration.

The first half of the day was spent exploring natural dyes and herbalism. We broke for lunch in the Roth Bar and Grill to indulge in an impressive array of locally sourced seasonal dishes. In the second half of the workshop, we played with organic flowers and plants from Somerset Flower Farm to create some stunning bundle-dyed silks. An enriching group of artists, writers, designers and hobbyists provided a scene full of ideas and opportunities, with new projects and collaborations being borne as a result.

At Hawkwood College, we had the pleasure of harvesting our own dye materials from the gardens, to use in class. Leaves were lovingly used as baskets and we returned to the studio with a series of unique flower offerings.

Beautiful, and carrying a plethora of therapeutic and symbolic values, these were transformed into the pretty silk prints displayed by the group below.

At Port Eliot Festival, we made eco-printed silk napkins, keeping in theme with the foodie vibe.

In a fun blue and white stripy tent! :)

Couldn't leave Cornwall without a trip to this place..

It was super exciting to offer the first Screen Printing With Natural Dyes workshop at East London Printmakers, in Hackney, at the beginning of August. 

And such a joy to work in a proper print studio surrounded by beautiful old letterpress machines.

Just now back from another awesome day at Hawkwood College in Stroud with the Raised By Feminists art collective. Feeling inspired by this rad group of women from the North. ;)

Thanks again to Hawkwood for providing such a wonderous place for foraging and creativity. Those blissfully green Stroud valley views are medicine for the soul.

Here's a pic of me (front right) with the Raised By Feminists Collective, showing off our freshly printed pieces.

Looking forward now to more workshops this Autumn!

A fun new Experimental Dye Art class at The Saatchi Gallery in Chelsea, London. October 28th.

Inspired by Saatchi Gallery artist Sigrid Holmwood, this workshop provides an opportunity to experiment with a range of exciting natural dyes and pigments - from flowers, berries, roots, leaves, insects and minerals. Learn how to use Japanese Shibori tie-dyeing to create resist patterns using simple folding and binding techniques, inject botanical dyes into folds of cloth, scatter fresh and dried flower petals into bundles for steaming to release their colour and create direct impressions on cloth. Learn about the joy of using natural materials to create exciting prints and colour on fabrics. 

 

And two more dates at Hamilton House in Bristol.

 Eco-Printing with Flowers: BYO October 6th

Eco-printing is an awesome, contemporary traditional surface application technique, which allows you to make direct impressions on cloth, without the need for colour extraction or the dye pot.

In this class you can learn how to transfer colour from flowers, berries, leaves and waste foods, into beautiful repeat patterns using a simple fold, bind and steam method. Create plant based designs using your own fabric samples, small items of clothing or other textile projects. And take away something beautiful along with the skills to repeat the process for yourself again and again.

Indigo + Shibori: BYO : October 6th

An exciting opportunity to discover the alchemical process of achieving blue textile colours from plants.

Learn about natural indigo vat dyeing and experiment with a variety of traditional Japanese Shibori fold + bind "resist" pattern making techniques to create beauteous blue and white repeat patterns on cloth. The invitation is to bring your own natural fibre textiles, which must be washed in advance and brought to class damp. (There will also be some organic British silk available in class, for you to purchase at an additional cost). You will leave with an understanding of how to prepare your own vat, using a simple 3-step process, how to prepare, process and finish your cloth for lasting results, and use Shibori to make a range of different patterns, along with your own indigo Shibori dyed item to take away with you.

So many thanks and blessings to all the lovely people who hosted Botanical Inks this Summer and came to our workshops. It's been utterly lush!

With love, Babs :) xxx

SPRING-TIME FLURRY!

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Wow!! What a busy time!!

It's been non-stop, traveling around England delivering fun workshops this Spring!

I’ve been to a plethora of fantastic places, including several Soho Houses and the wonderful Bristol Textile Quarter. It's been a treat to work in these places and meet so many amazing people!

Electric House was the first location this Spring and I had a lovely time teaching a small group the art of bundle dyeing with rose petals, calendula and logwood.

 

At Babington House, we had a very pleasant plant identification walk around the gardens, before making some awesome Shibori T-shirts, made with fair-trade organic cotton, using local plant dyes, including onion, eucalyptus and nettle.

A week later myself, and my lovely assistant Lauren, were at Soho Works in Shoreditch to teach the same technique again, this time using lengths of organic British Silk.

The following week saw us at Bristol Textile Quarter, for the first Selvedge Magazine workshop series, "Bundle Dyeing With Local Flowers".

We had a full class, with 14 participants and made a wonderful mess of flower petals, which I had procured from The Flower Shop on Gloucester Road.

(Thanks for the waste flower and leaf donations!)

(Thanks for the waste flower and leaf donations!)

We loved being in this cool space surrounded by textile machinery and the minimal white backdrop. What a location!

I had some time out, to digest all of these wonderful experiences while walking the Exmoor coastal path, among beautiful glowing gorse flowers, then it was back on the road. Next stop Hawkwood College for their Open Day, to talk about bundle dyeing and local flowers. And then on to Soho Farmhouse, in Oxfordshire, for a new one: Hapa-zome printing with flowers and leaves!

After this we had our second Selvedge Magazine workshop, this time using Shibori with local plant dyes. I’m thrilled by what everyone made!!

Check out these beauties!!

 

It was an utter delight to then offer the first Botanical Inks Hen Party workshop for a beautiful gathering of ladies, in Bristol, in their glorious flower-filled Georgian garden on a sun-filled Saturday afternoon. A dreamy experience which will linger with me for a long time...Picking blooms from the trees and hedges, to throw into silk bundles for steaming, while enjoying a cream tea in the sun...Served by naked butlers…Hah! Such fun!

And then we were back at Shoreditch House last weekend, to teach bundle dyeing again!

Phewph!!

Its been amazing to visit all these incredible places and meet such inspiring and lovely people at every turn!

Thank you so much to all of the hosts, who welcomed us in to share these craft skills with their communities. It’s been a total delight..!!!

 :) :) :) XxxXx

Looking forward to more on our Summer Tour!!

Starting next week with our Bristol Walking Festival - Color Foraging Walk in Leigh Woods, on Tuesday 17th. Bookings here.

The next Selvedge Magazine Workshop takes place at Bristol Textile Quarter on May 26th, with Organic Indigo Vat Dyeing + Shibori. I'm so looking forward to offering you this new workshop!! Bookings here.

We’re visiting The Lammas Project in Wales, June 3+4, to teach field to fabric bundle dyeing: foraging plants from one of the resident’s gardens to make natural mordants and plant dye printed silks. More info here.

We then have the great honor of hosting master indigo dyer, Aboubakar Fofana, June 6-17, to teach an intensive 10-day fermented indigo dye course! More info on this here.

Look out for more info on the Botanical Inks Summer Tour coming soon!

With love, Babs xx

Natural Dyes in Indonesia

botanical inks

I've been very fortunate to spend the last few weeks in Bali, exploring the vibrant scene of artisan & commercial natural dye studios, factories, farms, gardens and co-operatives. 

My original intention for this trip was to explore pioneering examples of working commercial dye facilities, to inform my next steps with Botanical Inks. An exciting prospect in itself, however, in the process I have discovered so much more than I could have expected.

What really stands out is the incredible diversity of textile art traditions across the islands of Indonesia, and the depth of meaning to their practices, which vary in their use of, ' basic weaving, through supplementary warp and weft patterning, discontinuous weft and warp-wrapping methods, to the three ikat processes (warp, weft and double-ikat), and batik.'

I've learned a lot from the Threads of Life organization in Ubud, who help relieve rural artisans from poverty by supporting them in finding a commercial market for their traditional textile arts. 

"Our aim here is to give context to the textiles and fine crafts seen at Threads of Life. Though each object is alluring and beautiful in its own right, it is a material expression of an indigenous culture. Appreciation of an object deepens with our understanding of the intangible culture of values and meanings that its maker sought to express. The object turns from a clever combination of materials into the expression of a personal journey that can touch and inform our lives, too."    (William Ingram, Threads Of Life).
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Textiles here are also valuable tools for particular ceremonies, such as weddings, funerals and teeth filing (a ritual every Balinese person must undergo, in which the 6 upper front teeth are filed down by a priest - each representing one of the 6 weaknesses: anger, jealousy, lust, drunkeness, greed and confusion. Special cloths are hand dyed and woven for these occasions, to wrap specific parts of the body or important religious statues, in preparation for ritual.

Its been wonderful to learn more about how natural dyes are used for creating these alluring cloth designs, and of course, inspiring to learn about a widespread use of natural dye practices.  

The Bebali Foundation, is an incredible resource, having documented over 300 dye plant species across the archipelago, many used to produce minor colors, to manipulate the oiling process chemistry, or vary the shades of the dominant colors.

I have been amazed at the range of colour that is possible from just 5 base colours, red, blue, yellow, brown and black, each from a different local plant.

I've been working on an exciting project with a commercial dye house to produce a line of organic conscious clothing, suitable for Western cultures, which can be worn for our own rituals: yoga, dance and celebration. More news on this in the coming weeks..!

Something that will stay with me from this trip, is the experience of being surrounded by constant daily blessings and ceremonies. There is an air of sanctity and love in Bali. The smell of incense burning on alters along every street throughout the days, and the local people dressed in their sari's offering blessings to their alters, street, houses, shops, cars...All spaces are continually being blessed which creates a deep sense of presence and feels blissfully lovely!

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As a botanical and mineral artist, this really has been an inspiring place for deepening my practice and setting intentions for the path ahead. Being surrounded by lush green nature, art, spirituality, wellness and radical self expression in the friendly communities is another thing..

I am very grateful for my time in Bali, for the healing, the inspiration, new visions, people, experiences, practices and clarity that I have been blessed with each day.

And look, I now have a shiny new website to show you, which explains more of what I do outside of Botanical Inks: http://babsbehan.com/

Imbolc + Winter's Colours

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Its a still & quiet time of year, when moments spent outside feel particularly precious. The careful steps on icy ground; the visible breath lingering on the air. 

As I've been gathering dye materials, I've enjoyed an awareness of plant life submerged underground, storing its energy in the soil. There's a sense of temporariness in this and the promise of a return to the surface again before too long.

I love the grounding effect that this acknowledgement has on my body. Like the soporific sensations of the season's foods and the therapeutic aromas of the pine forest. The slower pace to these cold days brings restoration and opportunity for dreaming.

We've just passed Imbolc; the first day of February which marks the start of the annual cycle in Nature. A time of new beginnings, Imbolc reminds us of the return of Spring, only a few more weeks away. The Sun is getting brighter and the Earth warmer. Life is quickening in the soil.

I'm acknowledging this turning point, in contemplation and gratitude for the wonderful year that's passed, and all of the blessings that were received. Its been a year since launching Botanical Inks, and what a year it was! The growing community & conversations we are facilitating around clean + local artisan natural dye crafts is so very exciting! And what lovely people you all are! Its been a total pleasure to meet and connect with every single one of you.

Now feels like a suitably potent time for visioning and setting intentions for the year ahead. I'm loving the opportunity to put pen to paper and draw up all of my big dreams and clarify my priorities.

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In terms of the plants we can go to at this time of year, for rituals, recipes and remedies, the resources may seems slimmer than during the warmer months, and it's often surprising that they are actually so plentiful. 

This month I've harvested windfall eucalyptus leaves and bark, from my driveway. Comfrey, ivy, nettle, dock & dandelion roots, gorse, mahonia and holly from the garden. Onion skins & avocado rinds from the compost. Blackberry surplus stocks from the deep freeze. And a range of waste flowers from local florists. And there are many more options beside from these to be found.

We made beautiful colours from many of these seasonal plants earlier in January, in the "Art Of Natural Dyes" workshop at Hamilton House on Bristol's Stokes Croft.

In our second January class, we used more local plant dyes to create Shibori resist patterns on a range of natural fibre textiles, with pleasing results.

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The last of our Winter dye workshops in Bristol, "Bundle Dyeing with Healing Flowers + Plants", closed with a beauteous display of locally foraged wild plants, dried petals & waste flowers from local cafe No.12 Deli and Flower Riot.

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It was a delight to see the range of gorgeous things being made!

We'll be back in April with more awesome natural dye workshops, starting with our Selvedge series at Bristol Textile Quarter,

Babs :) 

#Ilovenaturaldyes

Xmas Card Workshops

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I've just spent a gorgeous weekend in Pembrokeshire, with "The Cheerful Project", teaching rural communities to make natural dye inks and to block print their own Christmas cards.

We arrived in the dark, in the middle of a howling gale, to friends, Melissa and Rowan's, house, perched on the edge of a cliff overlooking the Pembrokeshire coast. I love the surprise of waking up somewhere new in the morning to find out where you are. The journey to our class took us down beautiful twisting, winding, wintery country roads, through little welsh hamlets and farms. The light drizzle and open landscape nourishing the adventure.

Saturday was for making dyes from plants I had foraged and brought with me. We reduced them down and mixed them together with binders and preservatives to create non-toxic and biodegradable inks.

On Sunday we used our inks to experiment with the block-printing process, using biodegradable vegetable blocks and recycled paper from a mill in Lancashire.

We made some lovely colours from a mixture of berries, plum, eucalyptus, dock, yew, onion skins and logwood.

It was really special to meet the people who came to share this time together with us. We had such an interesting mix of folk, from local villages, small holdings and a land-based communities. Among the group was a lady who grew her own dye plants, another who taught science and used cabbage dyes in ph tests, some were artists, lino and screen printers, textile artists and sustainable living enthusiasts. It was such a rich and diverse gathering of personalities and talents. And fascinating to see how different people used the medium to create such a variety of styles.

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Thank you Rowan and SPAN Arts for inviting us over! :) Babs x

January Workshops!

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On the last three Thursdays of January 2016 Botanical Inks will be hosting dye workshops at CoExist, Hamilton House, in Stokes Croft, Bristol. 

There will be three to try, and you can choose to do one or all: native dyes/ shibori/ bundle dye.

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Block-Printed Cards

botanical inks

This week has been all about block-printing with natural dyes on paper!

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I've been carving up little geometric printing blocks from root vegetables and apples, and using surplus berry supplies from the Autumn, with potato starch, to create food-grade printing inks. 

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Blackberry, red currant and black currant inks.

They make cute prints on the soft background of this locally made, recycled paper from Eco-Craft.

 

These guys are going to go to the Coexist Winter Emporium, where they will be available to buy throughout December.

 

I'm excited to be teaching this special technique in December to some private groups in Somerset and Wales - more details to come later! ;)

If you are interested in learning how to block-print with natural dye, let me know. If there's enough interest we can do some public classes in Bristol in the new year. I'm also available for group bookings and 1:1 sessions. Get in touch to find out more: hello@botanicalinks.com

Babs xx